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Architecture

  • Water Court surrounded by concrete and glass pavilions

    Water Court at the Pavilions
    Photo: Iwan Baan
    Courtesy: Glenstone Museum

  • Aerial view of retangular pavilions and exterior land art

    Aerial of Pavilions

    Photo: Iwan Baan

    Courtesy: Glenstone Museum

  • People gathered in concrete architectural setting with large glass windows

    The Passage in the Pavilions
    Photo: Iwan Baan

    Courtesy: Glenstone Museum

  • Two people on a winding path through lush foliage leading to blocky concrete building

    Approaching the Thomas Phifer and Partners building housing Four Rounds: Equal Weight, Unequal Measure, designed in collaboration with the artist, Richard Serra.

    Courtesy: Glenstone Museum

  • Blocky concrete building in the woods with pathway leading to entrance

    Approaching the Thomas Phifer and Partners building housing Four Rounds: Equal Weight, Unequal Measure, designed in collaboration with the artist, Richard Serra.

    Courtesy: Glenstone Museum

  • A modern-looking building overlooks a large pond surrounded by trees and grass

    The Gallery and Pond

    Photo: Iwan Baan

    Courtesy: Glenstone Museum

Art

  • Large outdoor sculpture of a rocking hourse head covered in vibrant flowers

    Jeff Koons
    Split-Rocker, 2000
    stainless steel, soil, geotextile fabric, internal irrigation system, and live flowering plants
    37 x 39 x 36 feet
    © Jeff Koons
    Photo courtesy: Glenstone Museum

  • Large geometric sculpture sits amidst gravel and foliage

    Tony Smith

    Smug, 1973/2005

    aluminum, painted black

    11 x 78 x 64 feet (3 x 24 x 20 m)

    © 2018 Estate of Tony Smith / Artists Rights Society (ARS), New York

    Photo: Iwan Baan

    Courtesy: Glenstone Museum

  • Four weathered steel cylinders in a concrete structure

    Richard Serra

    Four Rounds: Equal Weight, Unequal Measure, 2017

    forged steel

    © 2022 Richard Serra / Artists Rights Society(ARS), New York

    Courtesy: Glenstone Museum

  • Large clay sphere in a stone structure

    Andy Goldsworthy
    detail of Clay Houses (Boulder-Room-Holes), 2007
    mica-schist, clay, hair, slate
    exterior of each house, height 4m, width 4.9m, length 5.8m
    © Andy Goldsworthy, courtesy Galerie Lelong & Co.
    Photo: Jerry Thompson
    Courtesy: Glenstone Museum

  • Blurry figure of a person stands next to glass cylinder and window overlooking a water court

    The Passage in the Pavilions

    Roni Horn

    Water Double, v. 3 (detail),2013—2015

    solid cast glass with as-cast surfaces

    two units, each 50⅛ inches x 53–56-inchtapered diameter (127 cm x 135–142-cmtapered diameter)

    © 2018 Roni Horn

    Photo: Ron Amstutz

    Courtesy: Glenstone Museum

  • A dirtied white sculpture with a fan-like structure attached to a rectangular base

    Cy Twombly

    Cycnus, Rome, 1978

    wood, palm leaf, and white paint

    15⅞ x 9½ x 2⅛ inches (40 x 24 x 5 cm)

    © Cy Twombly Foundation

    Photo: Ron Amstutz

    Courtesy: Glenstone Museum

  • Aluminum sculpture of a man sitting on a horse

    Charles Ray

    Horse and rider, 2014

    solid stainless steel

    109 ½ x 40 x 105 ⅞ inches

    © Charles Ray

    Courtesy: Matthew Marks Gallery

    Photo: Ron Amstutz

    Courtesy: Glenstone Museum

  • A wall painted with a mural of the woods, with three sinks and two windows with bars

    Robert Gober

    Untitled (detail), 1992

    plywood, forged iron, plaster, latex paint, lights, enameled cast iron, stainless steel, painted cast bronze, water, metal, lightbulbs, cast plaster with casein and silk-screened ink, photolithography on Mohawk Superfine archival paper, twine, hand-painted forest mural

    dimensions variable

    © Robert Gober, Courtesy Matthew Marks Gallery

    Photo: Ron Amstutz

    Courtesy: Glenstone Museum

  • Painting seen through a doorway made of concrete blocks

    View into installation

    On Kawara

    Moon Landing (detail), 1969, from Today series (1966–2013)

    acrylic on canvas

    three panels, each 61 x 89 inches (155 x 226cm)

    © One Million Years Foundation

    Photo: Ron Amstutz

    Courtesy: Glenstone Museum

  • A room illuminated by red and yellow neon lights with a floor plaque in the foreground

    Jenny Holzer

    The Venice Installation: The Child Room, 1990

    Biancone, Nero Marquina & Rosso Magnaboschi;

    12 LED signs with green, red & yellow diodes

    Text: Mother and Child, 1990

    Installation: 44th Venice Biennale, United States Pavilion,

    Giardini della Biennale, Venice, 1990

    © 2024 Jenny Holzer, member Artists Rights Society (ARS),

    NY Photo: Salvatore Licitra

  • A man looks up at a cartoon bird andsits at a table littered in plastic toys and a McDonalds Happy Meal box

    Alex Da Corte

    Rubber Pencil Devil [still], 2018

    HD digital video

    © Alex Da Corte

  • Four people on two ladders, two people on each side, carry a flat sculpture of a partial leg

    Alex Da Corte

    Rubber Pencil Devil [still], 2018

    HD digital video

    © Alex Da Corte

Nature

  • A boardwalk zigzags through the woods

    Boardwalk at Glenstone

    Photo: Iwan Baan

    Courtesy: Glenstone Museum

  • A path approaches the Pavilions, a grey concrete building.

    Approach to the Pavilions

    Photo: Iwan Baan

    Courtesy: Glenstone

  • A person crosses a grey wooden bridge surrounded by woods

    The Gallery Bridge

    Photo: Iwan Baan

    Courtesy: Glenstone Museum

  • Two deer stand by a tree and in tall grass outside blocky concrete buildings

    Deer at the Pavilions

    Image: Iwan Baan

    Courtesy: Glenstone Museum