Iconoclasts: Selections from Glenstone’s Collection

The Gallery
A brown, brushy painting hangs on a white wall above a wooden floor.

A selection of works drawn from the museum’s collection is on long-term view in the Gallery. The exhibition features more than 50 artists who have made some of the most radical contributions to art in the 20th century. Foundational collection artists—such as Willem de Kooning, Alexander Calder, Ruth Asawa, and Martin Puryear, among many others—are on view alongside new acquisitions.

Exhibition Preview

    • Mönch </i> (Monk)
      Katharina Fritsch
      Mönch (Monk), 1997-1999
      On View Fritsch 1997
      Mönch (Monk), 1997-1999
      polyester and paint
      75 ½ x 24 ⅞ x 18 ⅛ inches (192 x 63 x 46 cm)
      © 2023 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Katharina Fritsch https://www.glenstone.org/wp-content/uploads/2018/07/FRITk_GF_Monch-e1531924630689-390x800.jpg A monochrome black sculpture of a man stands in a room, he is wearing a long robe with a rope tied around the waist.
    • “Untitled” (Lover Boys)
      Felix Gonzalez-Torres
      “Untitled” (Lover Boys), 1991
      On View Gonzalez-Torres 1991
      “Untitled” (Lover Boys), 1991
      candies individually wrapped in clear wrapping, endless supply
      dimensions variable
      © Felix Gonzalez-Torres, Courtesy of The Felix Gonzalez-Torres Foundation
      Photo: Dirk Gysel
      On View       Dirk Gysel
      Felix Gonzalez-Torres https://www.glenstone.org/wp-content/uploads/2018/07/GONZf_GF_UntitledLoverBoys.jpg
    • Untitled Closet
      Robert Gober
      Untitled Closet, 1989
      On View Gober 1989
      Untitled Closet, 1989
      wood, plaster, enamel paint
      92 ½ x 52 x 33 ½ inches (235 x 132 x 85 cm)
      © Robert Gober, courtesy Matthew Marks Gallery
      On View
      Robert Gober https://www.glenstone.org/wp-content/uploads/2019/04/GOBEr_GF_UntitledCloset-1-478x800.jpg
    • Black Monolith I, A Tribute to James Baldwin
      Jack Whitten
      Black Monolith I, A Tribute to James Baldwin, 1988
      On View Whitten 1988
      Black Monolith I, A Tribute to James Baldwin, 1988
      acrylic on canvas
      96 x 82 inches (244 x 208 cm)
      © Courtesy the Jack Whitten Estate and Hauser & Wirth
      Photo: Genevieve Hanson
      Courtesy: Hauser & Wirth
      On View       Genevieve Hanson
      Courtesy: Hauser & Wirth
      Jack Whitten https://www.glenstone.org/wp-content/uploads/2018/10/WHITj_GF_BlackMonolith-631x800.jpg
    • Empire’s Lurch
      Martin Puryear
      Empire’s Lurch, 1987
      On View Puryear 1987
      Empire’s Lurch, 1987
      painted ponderosa pine
      62 x 44 x 24 inches (157 x 112 x 61 cm)
      © Martin Puryear, courtesy Matthew Marks Gallery
      On View
      Martin Puryear https://www.glenstone.org/wp-content/uploads/2023/11/PURYm_Empires-Lurch-1200x800.jpg A deep green, almost black wooden rounded sculpture with a finger-like protrusion sits on a wooden floor.
    • “Untitled” (Perfect Lovers)
      Felix Gonzalez-Torres
      “Untitled” (Perfect Lovers), 1987
      On View Gonzalez-Torres 1987
      “Untitled” (Perfect Lovers), 1987
      two clocks
      13 ½ x 27 ½ x 1 ¾ inches (34 x 70 x 4 cm) overall
      clocks, each 13 ½ x 13 ½ x 1 ¾ inches (34 x 34 x 4 cm)
      © Felix Gonzalez-Torres, Courtesy of The Felix Gonzalez-Torres Foundation
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Felix Gonzalez-Torres https://www.glenstone.org/wp-content/uploads/2018/07/GONZf_GF_PerfectLovers-1065x800.jpg
    • Frogmen
      Jean-Michel Basquiat
      Frogmen, 1983
      On View Basquiat 1983
      Frogmen, 1983
      acrylic, oil stick, paper, and color copy paper on canvas with metal hinges
      48 x 185 ¼ inches (122 x 471 cm)
      © The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS, New York 2018
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Jean-Michel Basquiat https://www.glenstone.org/wp-content/uploads/2018/07/BASQj_GF_Frogmen.jpg A six-paneled canvas in various colors shows drawings including an octopus, various words crossed out, a cartoon cat, and xereoxed pages.
    • Untitled
      Miyoko Ito
      Untitled, 1975
      On View Ito 1975
      Untitled, 1975
      oil on canvas
      60 ¼ x 68 ¼ inches (153 x 173 cm)
      © Estate of Miyoko Ito, Courtesy Karen Lennox Gallery
      On View
      Miyoko Ito https://www.glenstone.org/wp-content/uploads/2023/12/ITOm_GF_Untitled_1975-1.jpg An orange-gradient painting hangs on a white wall.
    • San Clemente
      Philip Guston
      San Clemente, 1975
      On View Guston 1975
      San Clemente, 1975
      oil on canvas
      68 x 73 ¼ inches (173 x 186 cm)
      © The Estate of Philip Guston, courtesy Hauser & Wirth
      Photo: Christopher Burke
      On View       Christopher Burke
      Philip Guston https://www.glenstone.org/wp-content/uploads/2018/07/GUSTp_GF_SanClemente.jpg
    • Objeto gráfico </i> (Graphic object)
      Mira Schendel
      Objeto gráfico (Graphic object), 1972
      On View Schendel 1972
      Objeto gráfico (Graphic object), 1972
      transfer type, Japanese paper, and translucent acrylic plates
      37 ⅜ x 37 ⅜ x ⅜ inches (95 x 95 x 1 cm)
      © 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico1972-600x800.jpg
    • Three Spades
      David Hammons
      Three Spades, 1971
      On View Hammons 1971
      Three Spades, 1971
      body print
      41 ½ x 31 inches (105 x 79 cm)
      © 2023 David Hammons / Artists Rights Society (ARS), New York
      Photo: Alex Jamison
      On View       Alex Jamison
      David Hammons https://www.glenstone.org/wp-content/uploads/2018/07/HAMMd_GF_ThreeSpades-615x800.jpg
    • For Pearl
      Brice Marden
      For Pearl, 1970
      On View Marden 1970
      For Pearl, 1970
      oil and beeswax on canvas
      three panels, overall 96 x 98 ¼ inches (244 X 250 cm)
      © 2023 Estate of Brice Marden / Artists Rights Society (ARS), New York
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Brice Marden https://www.glenstone.org/wp-content/uploads/2018/07/MARDb_GF_ForPearl-1064x800.jpg
    • Objeto gráfico </i> (Graphic object)
      Mira Schendel
      Objeto gráfico (Graphic object), 1967-1968
      On View Schendel 1967
      Objeto gráfico (Graphic object), 1967-1968
      graphite, rice paper, and transparent acrylic plates
      38 ⅝ x 38 ⅜ x ¼ inches (98 x 97 x 1 cm)
      © 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico1960-600x800.jpg
    • Objeto gráfico </i> (Graphic object)
      Mira Schendel
      Objeto gráfico (Graphic object), 1967-1968
      On View Schendel 1967
      Objeto gráfico (Graphic object), 1967-1968
      oil stick, transfer type, rice paper, and transparent acrylic plates
      38 ⅝ x 38 ⅜ x ¼ inches (98 x 97 x 1 cm)
      © 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico-600x800.jpg
    • Pure Beauty
      John Baldessari
      Pure Beauty, 1966-1968
      On View Baldessari 1966
      Pure Beauty, 1966-1968
      acrylic on canvas
      45 ⅜ x 45 ⅜ x 1 ⅜ inches (115 x 115 x 3 cm)
      © John Baldessari
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      John Baldessari https://www.glenstone.org/wp-content/uploads/2018/04/BALDj_257_001_crop-799x800.jpg A square canvas is painted carefully with the words "PURE BEAUTY" in black.
    • Several
      Eva Hesse
      Several, 1965
      On View Hesse 1965
      Several, 1965
      acrylic, Papier-mâché, latex, and rubber
      four units, dimensions variable
      approximately 88 x 11 x 7 inches (224 x 28 x 18 cm)
      © The Estate of Eva Hesse. Courtesy Hauser & Wirth
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Eva Hesse https://www.glenstone.org/wp-content/uploads/2018/04/HESSe_245_001_crop-441x800.jpg
    • Roue de Bicyclette</i> (Bicycle Wheel)
      Marcel Duchamp
      Roue de Bicyclette (Bicycle Wheel), 1964
      On View Duchamp 1964
      Roue de Bicyclette (Bicycle Wheel), 1964
      bicycle wheel, fork, kitchen stool, and white paint
      50 ⅜ x 25 ⅝ x 12 ⅝ inches (128 x 65 x 32 cm)
      © Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York 2023
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Marcel Duchamp https://www.glenstone.org/wp-content/uploads/2018/08/DUCHm_GF_RoueDeBicyclette-600x800.jpg One dark bicycle wheel with gray spokes attached at the bicycle fork crown to an upright, tan, wooden stool.
    • Fountain
      Marcel Duchamp
      Fountain, 1964
      On View Duchamp 1964
      Fountain, 1964
      glazed cast ceramic urinal with black paint
      14 ⅛ x 18 ⅞ x 24 inches (36 x 48 x 61 cm)
      © Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York 2023
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Marcel Duchamp https://www.glenstone.org/wp-content/uploads/2018/08/DUCHm_GF_Fountain-600x800.jpg Supine white urinal signed "R Mutt 1917."
    • Grande Bianco Plastica </i> (Large White Plastic)
      Alberto Burri
      Grande Bianco Plastica (Large White Plastic), 1964
      On View Burri 1964
      Grande Bianco Plastica (Large White Plastic), 1964
      burned plastic on aluminum frame
      74 ¼ x 113 ¼ inches (189 x 288 cm)
      © 2023 Artists Rights Society (ARS), New York / SIAE, Rome
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Alberto Burri https://www.glenstone.org/wp-content/uploads/2018/07/BURRa_GF_GrandeBianco-1217x800.jpg Clear plastic is stretched over a black frame with a white background and has about 12 scorched circular holes of various sizes.
    • Gold Standard
      Robert Rauschenberg
      Gold Standard, 1964
      On View Rauschenberg 1964
      Gold Standard, 1964
      oil, paper, printed reproductions, clock, cardboard box, metal, fabric, wood, string, shoe and Coca-Cola bottles on gold folding Japanese screen with electric light, rope, and ceramic dog on bicycle seat
      85 x 142 x 51 ¼ inches (216 x 361 x 130 cm)
      © Robert Rauschenberg Foundation/Licensed by VAGA, New York, NY
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Robert Rauschenberg https://www.glenstone.org/wp-content/uploads/2018/04/RAUSc_137_005_crop-1276x800.jpg
    • Robot K-456
      Nam June Paik
      Robot K-456, 1963-1964
      On View Paik 1963
      Robot K-456, 1963-1964
      aluminum profiles, wire, wood, electrical parts, foam, and control units
      72 x 40 ½ x 28 ⅜ inches (183 x 103 x 72 cm)
      © Nam June Paik Estate
      On View
      Nam June Paik https://www.glenstone.org/wp-content/uploads/2024/01/PAIKn_Robot_GF-640x800.jpg A sculpture of a robot, with wired and various technological elements, stands on an elevated white platform.
    • Accumulation on Cabinet No. 1
      Yayoi Kusama
      Accumulation on Cabinet No. 1, 1963
      On View Kusama 1963
      Accumulation on Cabinet No. 1, 1963
      sewn and stuffed fabric, wooden cabinet, cups, glasses, wire mesh, decanter, tea kettle, and paint
      60 ½ x 42 ½ x 17 ¾ inches (154 x 108 x 45 cm)
      © Yayoi Kusama
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Yayoi Kusama https://www.glenstone.org/wp-content/uploads/2018/08/KUSAy_GF_Accumulation-600x800.jpg
    • WORK
      Atsuko Tanaka
      WORK, 1963
      On View Tanaka 1963
      WORK, 1963
      synthetic polymer paint on canvas
      57 ¼ x 44 ½ inches (145 x 113 cm)
      © Atsuko Tanaka
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Atsuko Tanaka https://www.glenstone.org/wp-content/uploads/2018/08/TANAa_GF_WORK-600x800.jpg
    • Southern Elegy
      Anne Truitt
      Southern Elegy, 1962
      On View Truitt 1962
      Southern Elegy, 1962
      acrylic on wood
      47 x 20 ⅞ x 6 ⅞ inches (119 x 53 x 17 cm)
      © annetruitt.org, courtesy Matthew Marks Gallery
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Anne Truitt https://www.glenstone.org/wp-content/uploads/2018/09/TRUIa_SouthernElegy_crop-970x800.jpg
    • Untitled
      Lee Bontecou
      Untitled, 1962
      On View Bontecou 1962
      Untitled, 1962
      welded steel, canvas, wire, and soot
      63 ½ x 111 x 20 inches (161 x 282 x 51 cm)
      © Lee Bontecou
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Lee Bontecou https://www.glenstone.org/wp-content/uploads/2018/08/BONTl_GF_Untitled.jpg An abstracted form made from canvas, welded metal, and wire sits in relief off a white wall - three deeply black voids dominate the composition.
    • The Eye is the First Circle
      Lee Krasner
      The Eye is the First Circle, 1960
      On View Krasner 1960
      The Eye is the First Circle, 1960
      oil on canvas
      92 ¾ x 191 ⅜ x 1 ⅝ inches (236 x 486 x 4 cm)
      © 2023 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
      On View
      Lee Krasner https://www.glenstone.org/wp-content/uploads/2019/10/KRASl_GF_EyeIsTheFirstCircle.jpg
    • Hillbilly Galoot
      John Chamberlain
      Hillbilly Galoot, 1960
      On View Chamberlain 1960
      Hillbilly Galoot, 1960
      painted and chromium-plated steel
      60 x 60 inches (152 x 152 cm)
      © 2023 Fairweather & Fairweather LTD / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      John Chamberlain https://www.glenstone.org/wp-content/uploads/2018/07/CHAMj_GF_HillbillyGaloot-915x800.jpg Crumbled like a piece of paper, car parts painted red balance on a slate floor.
    • Relevo espacial (amarelo) </i> (Spatial relief [yellow])
      Hélio Oiticica
      Relevo espacial (amarelo) (Spatial relief [yellow]), 1960
      On View Oiticica 1960
      Relevo espacial (amarelo) (Spatial relief [yellow]), 1960
      oil on wood
      42 ⅞ x 47 ½ x 2 ⅜ inches (109 x 121 x 6 cm)
      © Projeto Hélio Oiticica, Rio de Janeiro, Courtesy Projeto Hélio Oiticica, Rio de Janeiro and Galerie Lelong & Co., New York
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Hélio Oiticica https://www.glenstone.org/wp-content/uploads/2018/08/OITIh_GF_RelevoEspacial.jpg
    • Untitled Blue Sponge Relief (RE 21)
      Yves Klein
      Untitled Blue Sponge Relief (RE 21), 1960
      On View Klein 1960
      Untitled Blue Sponge Relief (RE 21), 1960
      pigment, natural sponges, and pebbles on board
      78 ¼ x 64 ¾ inches (199 x 165 cm)
      © Yves Klein c/o Artists Rights Society (ARS), New York / ADAGP, Paris 2018
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Yves Klein https://www.glenstone.org/wp-content/uploads/2018/09/RE_021_Web_2018-676x800.jpg
    • Untitled
      Kazuo Shiraga
      Untitled, 1958
      On View Shiraga 1958
      Untitled, 1958
      oil on canvas
      72 x 107 x 3 ½ inches (183 x 272 x 9 cm)
      © Kazuo Shiraga
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Kazuo Shiraga https://www.glenstone.org/wp-content/uploads/2018/08/SHIRk_GF_Untitled.jpg
    • Flag on an Orange Field II
      Jasper Johns
      Flag on an Orange Field II, 1958
      On View Johns 1958
      Flag on an Orange Field II, 1958
      encaustic on canvas
      54 ¼ x 36 ¼ inches (138 x 92 cm)
      © 2023 Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), NY
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Jasper Johns https://www.glenstone.org/wp-content/uploads/2018/04/JOHNj_199_001_crop-533x800.jpg
    • Untitled
      Franz Kline
      Untitled, 1957
      On View Kline 1957
      Untitled, 1957
      oil on canvas
      78 ⅞ x 103 ⅛ inches (200 x 262 cm)
      © 2023 The Franz Kline Estate / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Franz Kline https://www.glenstone.org/wp-content/uploads/2018/04/KLINf_GF_Untitled.jpg
    • Untitled </i> (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe)
      Ruth Asawa
      Untitled (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe), c. 1956
      On View Asawa 1956
      Untitled (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe), c. 1956
      brass and iron wire
      72 ¼ x 15 x 15 inches (184 x 38 x 38 cm)
      © 2024 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner
      Photo: Dan Bradica
      On View       Dan Bradica
      Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_003.jpg Rounded organic interlocking forms arranged vertically made from looping gold colored wire hang from the ceiling.
    • January 1st
      Willem de Kooning
      January 1st, 1956
      On View de Kooning 1956
      January 1st, 1956
      oil on canvas
      78 ¼ x 69 inches (199 x 175 cm)
      © 2023 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Willem de Kooning https://www.glenstone.org/wp-content/uploads/2018/04/DEKOw_24_002_crop-708x800.jpg In this painting, loose and expressive brushwork of various colors overlaps and muddies the tones. Lines of blue, yellow, teal, black, and red mix with fields of beige and pink.
    • Grega no. 4 </i>(Greek no. 4)
      Lygia Clark
      Grega no. 4 (Greek no. 4), 1955
      On View Clark 1955
      Grega no. 4 (Greek no. 4), 1955
      automotive paint on wood
      15 13/16 x 71 ¼ x 1 ⅜ inches (40 x 181 x 3 cm)
      © Lygia Clark
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Lygia Clark https://www.glenstone.org/wp-content/uploads/2020/01/CLARl_GF_GregaNo4-1065x800.jpg An abstract composition of blue, red, green, and beige rectangles and squares form a series of "U" shapes.
    • Number 1
      Jackson Pollock
      Number 1, 1952
      On View Pollock 1952
      Number 1, 1952
      oil and enamel on canvas
      23 ⅞ x 107 inches (61 x 272 cm)
      © 2023 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
      On View
      Jackson Pollock https://www.glenstone.org/wp-content/uploads/2018/04/POLLj_124_002_crop-1276x285.jpg
    • Untitled </i> (S.531, Hanging Six-Lobed, Two Continuous Interlocking Form)
      Ruth Asawa
      Untitled (S.531, Hanging Six-Lobed, Two Continuous Interlocking Form), c. 1950
      On View Asawa 1950
      Untitled (S.531, Hanging Six-Lobed, Two Continuous Interlocking Form), c. 1950
      iron wire
      84 x 20 x 20 inches (208 x 51 x 51 cm)
      © Artwork © 2024 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner
      Photo: Dan Bradica
      On View       Dan Bradica
      Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_002.jpg Organic and curvy interlocking vertical forms made from woven rusty colored wire hang from the ceiling.
    • L’Homme au doigt </i> (Man Pointing)
      Alberto Giacometti
      L’Homme au doigt (Man Pointing), 1947
      On View Giacometti 1947
      L’Homme au doigt (Man Pointing), 1947
      bronze
      70 ½ x 34 ½ x 20 inches (179 x 88 x 51 cm)
      © Succession Alberto Giacometti / Artists Rights Society (ARS), NY 2023
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Alberto Giacometti https://www.glenstone.org/wp-content/uploads/2018/04/GIACa_GF_ManPointing-600x800.jpg
    • Red Night
      Louise Bourgeois
      Red Night, 1946-1948
      On View Bourgeois 1946
      Red Night, 1946-1948
      oil on linen
      30 x 60 inches (76 x 152 cm)
      © 2023 The Easton Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY
      Photo: Ron Amstutz
      On View
      Louise Bourgeois https://www.glenstone.org/wp-content/uploads/2022/09/BOURl_GF_RedNight-1067x800.jpg An abstracted person lays in a hospital bed amid a field of red brushstrokes.
    • Baby Flat Top
      Alexander Calder
      Baby Flat Top, 1946
      On View Calder 1946
      Baby Flat Top, 1946
      painted sheet metal and wire
      47 ½ x 76 x 48 inches (121 x 193 x 122 cm)
      © 2023 Calder Foundation, New York / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Alexander Calder https://www.glenstone.org/wp-content/uploads/2018/07/CALDa_GF_BabyFlat-1276x735.jpg Hanging from a tripedal floor stand, a large horizontal oval-shape have several delicate wire off-shoots, perfectly balanced.
    • Untitled
      Alexander Calder
      Untitled, c. 1941
      On View Calder 1941
      Untitled, c. 1941
      glass, ceramic, spoon, buttons, wire, and string
      35 x 42 inches (89 x 107 cm)
      © 2023 Calder Foundation, New York / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Alexander Calder https://www.glenstone.org/wp-content/uploads/2018/07/CALDa_GF_Untitled_1941-e1532352840347-599x800.jpg Hanging from above, this mobile boasts 10 horizontal wires balancing 23 vertical wires ending in 12 shards of glass (in multiple colors) and a black spoon.
    • La Demoiselle
      Alexander Calder
      La Demoiselle, 1939
      On View Calder 1939
      La Demoiselle, 1939
      painted sheet metal and wire
      58 ½ x 21 x 29 ½ inches (149 x 53 x 75 cm)
      © 2023 Calder Foundation, New York / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Alexander Calder https://www.glenstone.org/wp-content/uploads/2018/07/CALDa_GF_LaDemoiselle-e1532352881222-676x800.jpg Hanging from a tripedal floor stand, a series of graduated abstract forms (painted black, blue, yellow, red, and white) delicately balance on thin wires.
    • Jeannette V
      Henri Matisse
      Jeannette V, 1913
      On View Matisse 1913
      Jeannette V, 1913
      bronze
      22 ⅞ x 8 ¾ x 12 inches (58 x 22 x 30 cm)
      © 2023 Succession H. Matisse / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Henri Matisse https://www.glenstone.org/wp-content/uploads/2018/07/MATIh_GF_JeannetteV-494x800.jpg
    • Jeannette III
      Henri Matisse
      Jeannette III, 1911
      On View Matisse 1911
      Jeannette III, 1911
      bronze
      23 x 9 x 11 ½ inches (58 x 23 x 30 cm)
      © 2023 Succession H. Matisse / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Henri Matisse https://www.glenstone.org/wp-content/uploads/2018/07/MATIh_GF_JeannetteIII-e1532362828119-581x800.jpg
    • Jeannette IV
      Henri Matisse
      Jeannette IV, 1911
      On View Matisse 1911
      Jeannette IV, 1911
      bronze
      24 x 9 ½ x 11 ¼ inches (61 x 24 x 29 cm)
      © 2023 Succession H. Matisse / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Henri Matisse https://www.glenstone.org/wp-content/uploads/2018/07/MATIh_GF_JeannetteIV.jpg
    • Jeannette I
      Henri Matisse
      Jeannette I, 1910
      On View Matisse 1910
      Jeannette I, 1910
      bronze
      13 ¼ x 9 x 10 inches (34 x 23 x 25 cm)
      © 2023 Succession H. Matisse / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Henri Matisse https://www.glenstone.org/wp-content/uploads/2018/07/MATIh_GF_JeannetteI.jpg
    • Jeannette II
      Henri Matisse
      Jeannette II, 1910
      On View Matisse 1910
      Jeannette II, 1910
      bronze
      10 x 9 x 10 inches (25 x 23 x 25 cm)
      © 2023 Succession H. Matisse / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
      On View       Tim Nighswander/Imaging4Art.com
      Henri Matisse https://www.glenstone.org/wp-content/uploads/2018/07/MATIh_GF_JeannetteII.jpg
    • Porsche
      Vija Celmins
      Porsche, 1966–67
      On View Celmins
      Porsche, 1966–67
      oil on canvas
      28 x 42 ¼ inches (71 x 107 cm)
      © Vija Celmins, courtesy Matthew Marks Gallery
      On View
      Vija Celmins https://www.glenstone.org/wp-content/uploads/2023/12/CELMv_GF_Porsche-1167x800.jpg A desaturated painting showing a view of the highway from the passenger's seat of a car.
    • Senza titolo
      Marisa Merz
      Senza titolo, n.d.
      On View Merz n.d.
      Senza titolo, n.d.
      pastel on chipboard in iron frame
      43 ⅝ x 51 ½ x ¾ inches (111 x 131 x 2 cm) framed
      © Marisa Merz
      Photo: Ron Amstutz
      On View       Ron Amstutz
      Marisa Merz https://www.glenstone.org/wp-content/uploads/2018/08/MERZmaris_GF_SenzaTitolo.jpg
    • Untitled </i> (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other)
      Ruth Asawa
      Untitled (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other), c. 1954
      On View Asawa
      Untitled (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other), c. 1954
      iron wire and paint
      95 ½ in x 20 in x 20 in (243 x 51 x 51 cm)
      © 2024 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner
      Photo: Dan Bradica
      On View       Dan Bradica
      Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_001.jpg Fluted wire forms intersect four different times along a hanging vertical sculpture.