Doris Salcedo
May 2022—January 2023In Room 2 of the Pavilions, Glenstone presented a selection of sculptures by Colombian artist Doris Salcedo (b. 1958), the first monographic exhibition of her work in the Washington, DC area. Salcedo creates powerful and moving sculptures that reflect the myriad ways in which violence and oppression manifest in the modern world. She grounds her practice in research and firsthand interviews with survivors of political and domestic violence. Through a time-intensive and laborious process, the forms her sculptures achieve are poetic, compassionate translations of the words and experiences of those who have suffered harm. Among the works featured in this presentation was Disremembered X, 2020/2021, a sculpture in four parts commissioned by Glenstone which originated from interviews the artist conducted with American mothers who lost children to gun violence.
Exhibition Preview
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Doris Salcedo https://www.glenstone.org/wp-content/uploads/2022/07/SALCd_Disremembered_Final_2-1067x800.jpg Two silk shrouds hang on a gallery wall a few feet above the ground.
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Doris Salcedo https://www.glenstone.org/wp-content/uploads/2019/05/SALCd_TabulaRasa_IV-1067x800.jpg A brown wooden table sits on a gallery floor; the table has a rough, uneven surface.
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Doris Salcedo https://www.glenstone.org/wp-content/uploads/2019/05/SALCd_TabulaRasa_II-1067x800.jpg A desk with no drawers sits on the floor, it has a rough and damaged surface.
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Doris Salcedo https://www.glenstone.org/wp-content/uploads/2019/05/SALCd_TabulaRasa_I-1078x800.jpg A brown wooden table sits on a gallery floor; the table has a rough, uneven surface.
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Doris Salcedo https://www.glenstone.org/wp-content/uploads/2022/07/SALCd_Untitled1998-661x800.jpg An armoire full of concrete sits on a gallery floor. A table is embedded within the concrete.
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Doris Salcedo https://www.glenstone.org/wp-content/uploads/2022/07/SALCd_Untitled1992-502x800.jpg A glass-front cabinet is filled with concrete and standing against a wall.
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Doris Salcedo https://www.glenstone.org/wp-content/uploads/2022/07/SALCd_Untitled1989-1990.2013-1067x800.jpg Four empty bedframes sit in a room, one leans vertically against the wall.